An integral part of a thriving capitalist economy is its reliance on the continual production, circulation, and consumption of goods. Yet, such consumption depends on people who have the means to pay for these goods as well as for the goods’ planned obsolescence, which incentivizes and makes it necessary for people to purchase more. Quebec-based artist José Luis Torres explores these types of issues in an unconventional manner with his contribution Trojan Horse to this year’s The Works Art and Design Festival.

How can visual art activate possibilities for public engagement within the urban environment? Jill Stanton’s Supergarden explores these possibilities with her larger-than-life art installations that have populated Churchill Square during this year’s The Works Art and Design Festival.